Essay on Exploring International Psychology - 1045 Words

Introduction In researching the ancient roots of international psychology, I found that I gravitated with special interest to the ancient roots of Greek, Chinese and Indian psychology. In this research, I found myself replaying a statement I read when learning about the hypothesis regarding the history of psychology. This statement is â€Å" It may be possible that parts of history have indeed been chaotic whereas other parts have been linear and progressive and still others have been cyclical† (King, Viney and Woody, 2009, p.9). Ancient Roots of Greek psychology Greek influences appear to have the most presence in Western psychology. Greeks placed a heavy emphasis on intellect. â€Å"Many Greek thinkers of antiquity were obsessed with finding†¦show more content†¦Ancient Roots of psychology in China China has ancient roots in psychology originating with a philosophy that has shaped the culture of China. I was impressed to learn how far back the thinking of psychology was present in China as described by Jing and Fu: Psychological thinking in China originated 2000 years ago when Chinese philosophers debated about the goodness and evil- ness of human nature. In the 16th and 17th centuries the Jesuit missionaries introduced the Catholic scholastic psychology into China. Modern Chinese psychology was mainly introduced from Germany, America, and Japan in the early 20th century. After the founding of the People’s Republic of China in 1949, Chinese psychology tried to stage a reform by taking the psychology of the Soviet Union as its model. During the Cultural Revolution (1966–1976) psychology was abandoned due to its Western roots. In the late 1970s psychology was rehabilitated and new fields were opened up for study. Currently, Chinese psychology is adopting a multi-dimensional approach to meet the demands of China’s modernization movement. (p.408) Understanding the philosophy of Confucius offers insight to the thought process and culture of Chinese people. According to Jing and Fu, â€Å"Although the beginning of Chinese civilization dates back to 5000 years ago, in terms of psychology, the basic ways of thinkingShow MoreRelatedDear University Of Groningen Clinical Neuropsychology Master1126 Words   |  5 Pagesparticularly was excited to notice the possibility to participate in a clinical internship through Groningen’s Clinical Neuropsychology program. I eventually would like to become a part of the clinical realm of psychology and apply my understanding of the brain directly to those in need. 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Towards Critical Transnationalism Studies - Myassignmenthelp.Com

Question: Discuss About The Towards Critical Transnationalism Studies? Answer: Introducation Transnational cinema is a developing theory in the film studies of India that incorporates a variety of theories that are related to the effects of the globalization upon the economic and cultural aspects of the film. The concept of the transactional cinema shows how the Indian cinema is able to bring the changes in the films from the various cultures since the implementation of the globalization (Higbee Lim, 2010). There are a numerous number of movies in which the concept of transnational is clearly visible and these movies include My name is Khan, Bride and Prejudice and many others. The beginning of the Indian cinema was done by the Dadasaheb Phalke in the year 1913 with the introduction of the first ever full-length feature film named as Raja Harishchandra, who is also known as the father of the Indian cinema. Dadasaheb was not only the producer of the film but was writer, director, editor, cameraman, make-up artists and the art director. The movie was also screened in London in the year 1914 (Grant, 2017). Later Dadasaheb supervised and managed the production of twenty-three films from the year 1913 to 1918. The early growth of the Indian Film Industry was not rapid as compared to the Hollywood. The word of Bollywood is a play on Hollywood with the B that comes from Bombay (currently known as Mumbai), the center of the film world. Later on, many people contributed to bringing new movies in India and these people get the inspiration of film from the culture of the country (Souza, 2014). The culture of India is diverse that is providing a large dose of ethnicity to the Bollywood nowadays. Most of the filmmakers are getting the inspiration from the various communities, cultures and combining culture in an interesting picture on the silver screen. Taran Adarsh shared the opinion that the cultures and ethnicity are importantly included in the course of the filmmaking in India (Mankermi, 2013). Bollywood is well-known for the full of colorful people who are willing to explore the cultures and represent it. For instance: - Bride and prejudice is a film that is produced by the Gurinder Chadhas. The movie is inspired by the Jane Austens Pride and Prejudice that emphasis on the difference between an American idea of weddings and marriage along with that an Indian idea of the marriage and weddings. This movie reflects the culture of the marriage and weddings with the fact that there is the difference in the rituals and weddings of India and America. The idea of the marriage is adopted with the culture of India. This culture of an Indian wedding is represented in numerous numbers of films in Bollywood but this is the film in which the filmmaker has tried to reflect the transnational Indian drama (Oliete-Aldea, 2012). Similarly, in another movie, my name is Khan; there is on the role of the Hindu women that reflects the culture and drama of India. The movie shows the collaboration of two religions Hindu and Muslim, in which a boy belongs to the Muslim cast. In one of the scenes of the movie, they were praying according to their religion. So, the filmmaker is reflecting the diverse culture in the movie My name is Khan (GlobalVoices, 2010). The filmmakers of Indian cant make the movie without the drama so the movie includes the drama which is reflected in the form of performance. Drama is the particular mode of fiction that is represented in the performance. The drama and theatre in India are as old as the dance and music. In the early times, the drama was recognized as Natya and Nautanki. In the recent times, the filmmakers present the people related to the art festivals and cultural functions. There are many people in India who are influenced by the modern theatre rather than the classical theatre. For people who like to do drama, no place is better than film industry which is commonly known as Bollywood. Drama in Hindi movies can focus on the life of the characters and on different aspects that affect the life. The filmmakers of India are adding drama with the use of the transnational cultures (Chakraborty, 2014). In simple words, the writers and producers are attempting to mix the characters, plots and the setting of the Indian Bollywood films with the traditional Hollywood settings, characters, and plots. Example; the movie Bride and Prejudice launched in the year 2004 include the Amritsar, Indian family into the basic plot of Jane Austen novel Bride and Prejudice and keep an eye on them through Indian, UK and US locales (Francus, 2010). The movie is the perfect mixture of the Bollywood and Hollywood and this is the reason the advertising tagline for the movie was "Bollywood meets Hollywood" which was filmed in India, the United States, and the United Kingdom. Along with this, the advertisement tagline of the film is also suitable which makes it the center of attraction and people get attracted towards it (Turow, 2016). The film consists of some characters having the same names that are discussed in the novel, the international element of this adaption eliminated Austen's focus on dealing with the gender and substitutes it with an international view and the financial relationship among the two nations. The above discussion clearly shows that the Transnational Indian Drama is increasing in movies of India. The writers and filmmakers are making the effective use of the globalization in their films (Ganti, 2013). These movies include not only the culture of India but also the culture of the other countries such as US and UK which makes these movies unique. Most of the movies of India reflect the culture of their country. References Chakraborty, K. (2014).Indian Drama in English. PHI Learning Pvt. Ltd. Francus, M. (2010). Austen Therapy: Pride and Prejudice and Popular Culture.Persuasions On-Line,30(2). Ganti, T. (2013).Bollywood: a guidebook to popular Hindi cinema. Routledge. GlobalVoices. (2010). My Name is Khan Cultural Politics in India. Viewed on 21st January 2018. https://globalvoices.org/2010/02/17/my-name-is-khan-cultural-politics-in-india/ Grant, A. (2017). What is Bollywood?. Viewed on 21st January 2018, https:Answer: Higbee, W., Lim, S. H. (2010). Concepts of transnational cinema: Towards a critical transnationalism in film studies.Transnational Cinemas,1(1), 7-21. Mankermi, S. (2013). Ethnic effect: Diverse culture of India taking Bollywood by storm. Viewed on 21st January 2018, https://www.indiatoday.in/movies/bollywood/story/ethnic-effect-diverse-culture-of-india-taking-bollywood-by-storm-218444-2013-11-23 Oliete-Aldea, E. (2012). Gurinder Chadhas Bride and Prejudice: A Transnational Journey Through Time and Space.International Journal of English Studies,12(1), 167-182. Souza, N.D. (2014). A Brief History of Indian Cinema. Viewed on 21st January 2018, https://www.goldenglobes.com/articles/brief-history-indian-cinema Turow, J. (2016).Media today: Mass communication in a converging world. Taylor Franci